| The Crash Landing - Sigh - Scenes From Hell by About2Crash 01-31-2010, 11:38 PM
Sigh - Scenes From Hell - 2010 ![]() Mirai Kawashima (川嶋未来) - Vocals, Keyboards Shinichi Ishikawa (石川慎) - Guitar Satoshi Fujinami (藤波聡) - Bass (2004-present) Junichi Harashima (原島淳) - Drums Dr. Mikannibal - Saxophone, Vocals Sigh Metal Most of the albums that we ever buy are good. With samples of almost every album ever made within a moment's reach in the vast valley on the internets it is unlikely that you will ever buy an album on a whim again. It used to be a cool album cover. Then it was reviews. Now, we can just listen to the damn thing ourselves oftentimes, in completely legal streams authorized by the band. But every once in a while, you get lucky. I picked up Dream Theater's "Six Degrees of Inner Turbulence" my freshman year in high school when a buddy showed me ten seconds of a guitar solo and said, "You have to hear this." I picked Fear Factory's "Obsolete" out of a bargain bin for 3.99 at an EB Games. Every once in a while an album changes the way you look at music. I still remember listening to Strapping Young Lad's "City" in the hallways during Summer school that year. When Tom Waits finally clicked. When an album by a Japanese black metal band named Sigh called "Hangman's Hymn" got a high review on a site that I respected. I heard a song. It was pretty good. I needed more metal. I listened to it a fair amount, as much as one listens to just another album that they just like. Then it clicked. Instantly, I was hooked and it soon rose to the top of my most listened to list as well as my top favorites of all time. So here I am, almost three years later and still gorging myself on everything that I can get my hands on by the band. A couple of live performances including the mighty Maryland Death Fest only further cemented my love in stone. A new album by one of your favorite bands is a scary thing. Mainly because there is always the possibility that it could suck. Some bands are able to get away with releasing albums that are better than your average bands best, but still mediocre by their own standards (I'm talking to you, Dream Theater...). Are hopes this big possible much less even fair to expect from an artist? Well, in the case of Sigh. You might as well here's another great addition to their collection. I don't care enough to go into detail. It can easily be compared to Hangman's Hymn with these added notes. - The production is noticeably different. Equally powerful, but with the new addition of the orchestral elements guitars have been given a tinnier and thinner sound. This also is highlighted by the fact that power chords are hard to find. Single string runs and riffs fill most of the songs. - Dr. Mikannibal does not overtake the album. Her lower growls compliment Mirai and while yes there may be a bit much of them, they always sound good even when you wish that it would be Mirai, who takes the lead most of the time. Her saxophone only appears for one solo, and it is incredibly tasteful and is among the albums best moments. - The bombasticness of Hangman's Hymn is not lost. Trumpets, violins, timpani drums all fill the vacuous wasteland that has been obliterated by the record. They will pump you up. I constantly want to run and jump off of a mountain when listening to the album . - The songs are not as tight. Yes, and there is more air throughout the entire album. However, this is a very minimal defect and does not affect the music negatively in any way. - The orchestra really sounds awesome. In fact, it is the best use of orchestral elements I've ever heard in a metal album. When Dimmu Borgir does it, it just sounds like the keyboards. Sigh have made an album with distinct orchestration and distinct players behind the instruments. Each instrument is a different character with a different voice. I would have written more... but it's hard to fill a page with "I love it." When in reality, that's all that you need to say. Songs that Slay: La Art'e De Mourir, The Soul Grave, Vanitas, Musica in Tempora Belli |
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Comments 12
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| I am really really great. MRU Donor Join Date: Aug 2005 Location: Adelaide, Australia
Posts: 4,888
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Anubis: I could go for a tapeworm right about now. Amok: Wasn't that your punchline before you got hog tied and gang banged on the porn set of 'A Bucket Full of Wiener pt.2'? www.myspace.com/necromoonforest | |
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| Horns up from: | N00bs (02-02-2010) |
| I am really really great. MRU Donor Join Date: Aug 2005 Location: Adelaide, Australia
Posts: 4,888
| Quote:
For avant garde stuff, I much prefer stuff like Mirrorthrone and Arcturus. Different sound entirely under the same banner. | |
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Anubis: I could go for a tapeworm right about now. Amok: Wasn't that your punchline before you got hog tied and gang banged on the porn set of 'A Bucket Full of Wiener pt.2'? www.myspace.com/necromoonforest | ||
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| Horns up from: | N00bs (02-02-2010) |
| The Cactus Monster MRU Donor Join Date: Jul 2005 Location: San Diego, CA
Posts: 10,831
| Quote:
Oh and I hate attention whore chicks like Mikkanabal. I would still fuck the living sushi out of her but, I don't need her in the band at all nor do I want her. | |
| "Here one must leave behind all hesitation; here every cowardice must meet its death..." The Cactus Monster | ||
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