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| AC/DC - Black Ice. AC/DC - Black Ice, recorded Vancouver, 2008. All songs written by the brothers Young, with some lyrical additions by Brian Johnson. Produced by Brendan O'Brien. A bit late, three months after I got it, but swoah.
Why a review for this particular album? One: there's not much posting going around lately. Somebody has to start... Two: this is a good album, the band has not released much since the Stiff Upper Lip Tour in 2000. Three: it's AC/DC.
Black Ice is a highly anticipated and highly wanted album, not only by me, but by loads of fans and music buyers around me. The art work is screaming "professional", as it shows what the fans want: Angus in different settings, there were several different covers sleeves available, the pictures inside show some real rock'n'roll attitude (naughty men, sexy women, the band just doing it the worker style: no make-up, nothing fake, just clean and honest rock).
The songs:
1. Rock N Roll Train. This is a 'lovely-going' rock song, the first single of the album. It has a very clear chorus and I think this song is worth it to be taken into the 'eternal-set-list' for tours to come.
2. Skies On Fire. This song reminds me of Bob Dylan's Hurricane in some way. It's quite a simple song, but the groove keeps going. Excellent, sharp solo here! Angus really must like this song.
3. Big Jack. Ha. This is a High Voltage sound-a-like, but played in higher notes. The lyrics are a bit naughty. All and all this song makes me happy. Very much.
4. Anything Goes. I sense some Rose Tattoo influences, especially vocally. Brian Johnson sure is singing this tune higher that what we're used of him, but it suites him. It's like Brian is persuading his high school love to get into his car.
5. War Machine. When I first heard this, without listening to the lyrics, I thought of Accept's Russian Roulette album and thought it was an anti war anthem. But it isn't, there's heads nor tales about the lyrics. I do like the tempo, but the solo is senseless and the song doesn't match up the rest of the album.
6. Smash N Grab. This song is bluesy, to say the least. Especially the drums drive this song and the guitar work is sharp as a knife. Rhythm, solo, chorus; excellent.
7. Spoilin'for A Fight. It takes a while to get to the point with this song, but I do like it. It reminds me of Who Made Who and that's one of my favorite AC/DC-with-Johnson songs.
8. Wheels. ZZ Top could have written this too. It's faster than the last couple of songs, it deals with women and cars and it's recognizable as AC/DC still. Nice.
9. Decibel. I called Smash N Grab bluesy, but this song has everything blue: tempo, slides, vocals, solo, feel. Likeeeee!!!
10. Stormy May Day. Slide, slide, slide. Man, this sounds like Angus even dismissed his beloved Gibson SG and sits behind a board with a slide on it. I wonder if they will ever play this song live, as we all know Angus can't stand still on a stage. Did I mention blues yet? It's not as powerful as Ride On, but it comes close.
11. She Likes Rock N Roll. Time for some faster stuff and a bigger role for Cliff Williams in this song. The guitar rhythm is solid too, Brian sounds like he had a tennis ball for breakfast. He spits out the lyrics as if he's mad at something, but it's surely not the girl he's singing about. Great song.
12. Money Made. I thought it was the blue collar tribute, but they lyrics deal about a wealthy hooker overseeing what she got. Did she get the Jack? No, she didn't. Groovy song, loads of timbre in Brian's singing here. A good song to get drunk by.
13. Rock N Roll Dream. Slow starter, fast verse, slow chorus. I don't get the lyrics, but the groove is OK. Not a bad song, but I should have used this as a B side to the second single instead of putting it on the album. But as Brian stated once: 'we make albums, not singles'.
14. Rocking All The Way. Lovely chorus, this is a perfect sing-a-long half way the set of the new tour. Easy listening stuff, could have been a bit sharper; but the solo is top!
15. Black Ice. Tempo is right, vocals sharp, guitars sound pretty cool. The perfect ending of this record.
Score:85/100. There are some songs that were not necessary, so to say. Needless to say on the rest of the songs the band is in shape, the grooves and faster parts are well balanced. The album sounds clear as a bell, but because of the lyrics some songs seem a bit predictable. Don't say 'AC/DC IS predictable' because this really is the best they did after Back In Black. Especially Brian Johnson does a great job, he has more reach and feel as he showed over the years. Phil Rudd and Cliff Williams do as they're told and with the tightness of Rudd, Williams and Malcolm I think especially live that will make the shows as excitable as can be because the rest of the band (aka Johnson, Angus, show attributes) can fill in the rest. Angus is for most fans the reason to go to an AC/DC show anyway, but seeing that skinny man alone on such huge stages is useless. The band has always had a steady rhythm section and this album shows that. The songs, guitar riffs and solos are sharper than, let's say Stiff Upper Lip and even For Those About To Rock (only two or three brilliant songs, the rest is filler and sometimes even boring). An album like Blow Up Your Video sounded happier, but that doesn't mean it's much better or worse than this album.
Overall: AC/DC fans can buy this one blindly, the AC/DC collectors can spend their money on 4 different versions of the album but I doubt if they do buy this album four times. For that, sorry to say, this album is no Dirty Deeds Done Dirt Cheap or Highway to Hell or High Voltage. I am one of the suckers that does have several versions of the Bon Scott album just mentioned.... |